From July 21 through September 10th, 2007, the Museum for Contemporary Art Tokyo held an exhibition honouring Kazuo Oga, the art director and background artist for many famed works from Japan's Studio Ghibli. Over 600 works from the artist were on display, and numerous fans flocked to the one-of-a-kind exhibition celebrating the lush, gorgeous background artwork typifying many a work from Hayao Miyazaki and other Ghibli filmmakers. International fans of Oga and Studio Ghibli have not been left out, however. A Ghibli Artisan - Kazuo Oga Exhibition - The One Who Drew Totoro's Forest allows fans the opportunity to attend the exhibition, as well as watch interviews and testimonials with Oga's contemporaries and collaborators, all subtitled in English.

Bryan Ford teaches how to make remixed classics and introduces recipes infused with his Honduran heritage and his childhood in New Orleans.

Ali Bellagha wants to be an artisan painter, but he is a painter of the feminine universe, he was inspired by Tunisian heritage to create an atmosphere of dream and fantasy; he tattooed his wife's back, he gave free rein to his imagination as a painter, but also to his pen to create "Le Séquoia bleu" which will be a one-of-a-kind album, the work of a painter from the Medina but also a creator through whom plastic art and writing make a unit.

Dismembered limbs. Topless mermaids. Crabs with human heads. These Chinese folklore-themed statues, in all their surreal, grotesque glory, are seared into the mind of Singapore's Haw Par Villa. But no one knows them as well as Teo Veoh Seng. Decades ago, he started out as an apprentice at the park, which opened in the 1930s; now, at 83, Teo has finally decided to retire. Though his successors prepare for his departure, what will be lost when the master craftsman steps down? Interspersing interviews with animation, this documentary weaves personal and national histories into the portrait of an unlikely Singapore hero. It sheds light on an artisan whose quiet dedication has preserved a uniquely charming slice of a city hounded by rapid urban developments.

In the woodcarvers' town far from the bustling metropolis, the traditional Chinese craftsmanship is still passed down from generation to generation. Young designer Lu Hao and Taiwanese businessman Fang Hanbing returned to their hometown town for a rennovation program. They regained their love for their grandchildren and found the ingenuity of the young people in the present.

“We’re beautiful, the whole gang. We’re special,” says Jean of the 15-odd employees at The Artisan—a workshop employing people with intellectual disabilities. Jean is the self-described “handyman and best-looking” member of the group. A moving celebration of difference, The Artisans captures daily life at an organization where the workers are as courageous as they are colourful.

In-depth look at the twilight years, spent training apprentices, of temple builder Nishioka Tsunekazu, who was called the "devil" as he devoted his life to temple architecture. His insistence on the gargantuan timescale of linking life to the next millennium emerges from people who knew him. Remarkable as well for showing the unknown backstage of temple architecture. Nishioka, known as "the last temple carpenter," handled the major Showa-era repairs of Horyuji temple, and in 1990 was at the scene of the reconstruction work for Yakushi temple.