Exploring the "anti-vax" movement both historically and in the angry political present, this vital account probes the divides and disinformation that threaten our future.

While imprisoned in South Korea, Kuroki (Hitoshi Ozawa), leader of a yakuza clan, is offered one deal. In exchange for an early release from prison, he is asked to kill a man. The target's name is Tatsuhiko Kaji (Hakuryu), a man who grew up in Japan and is now a senior member of the Korean mafia.

Also known as Kopitiam 2.0, this is a reboot of Malaysia's most loved sitcom. The Kopitiam once owned by Marie is now the property of a prematurely jaded Steven (Douglas Lim). Just as he plans to sell off the unloved business, a couple of regulars offer to take it over. Recently retrenched dreamer Alia (Sharifah Amani), and her spacey but well-intentioned bestie, Seleb (Melissa Campbell). Together with a cute but awkward chef (Harvinth Skin), a know-it-all helper who refuses to be fired (Charles Roberts), and the world’s most improbable Hollywood star, Jo (Rashid Salleh), the gang embark on all manner of (mis)adventures in their bid to bring the long-forgotten Kopitiam into the 21st century.

Shot in the Dark is a documentary on three blind photographers: Pete Eckert, Sonia Soberats and Bruce Hall. A documentary on three blind people who devote their lives to creating images. What do they see in their mind's eyes? Do they sense that which we sighted miss, overlook, or don't take into consideration? Their images, as we sighted can see, are extraordinary. "Even with no input the brain keeps creating images," says Pete Eckert. Sonia Soberats states, "I only understood how powerful light is after I went blind." Shot in the Dark is a journey into an unfamiliar yet fascinating realm. "My camera is like a bridge," claims Bruce Hall. All these photographers embrace fantasy, chance, and contingency at a fundamental level. Shot in the Dark enriches our understanding of perception and creation. We all close our eyes in sleep, the sighted and blind alike, and in our dreams - we see.

An early Okamoto yakuza film, though it's not in the Underworld series (along with The Last Gunfight and The Big Boss) despite being alternatively known as "Death of the Boss." While Okamoto did not write this film and took on the project because he was assigned and "just doing [his] job" according to an interview with Chris Desjardins in Outlaw Masters of Japanese Film, he did express a general excitement about working in action cinema (which shows through in this film's energy.)

Kozue Hayashi takes on the adventure molester train! A lewd molester operation with a huge inheritance at stake!

Despite a lifetime of adversity, a blind high school wrestler attempts to win a State Championship before the end of his senior year.

Danny realizes it is a lot harder to kill himself than he thought.

A 10-year-old boy accidentally kicks his football into a cemetery at night, and has to go get it back.

Brazilian entrepreneurs pitch their ideas to an audience and celebrity judges. But to win R$200,000, they’ll also have to navigate tough challenges.

During a period of widespread police corruption, Ti Lung is a stubborn cop who takes on both the mob and the political establishment.

When a forgotten director gets the chance to make his historical film, creative visions clash when the producer considers turning it into erotica.

Minato Narumiya reignites his passion for kyudo, the Japanese martial art of archery. Along with his friends in the school kyudo club, he returns for this feature-length sports anime film.

Yankie director Don Tyler faces mounting insecurity and declining health while on location in Beijing, so his assistant hires down-and-out camerman YoYo to take the reins. Scrambling, studio boss sells the sagging picture to a Japanese media company. But YoYo is determined to upstage the whole production by granting the director's wish to have a grand "comedy funeral". To raise the money for it, he auctions off advertising and sponsorships for the funeral to companies around the world. But wait...is Don getting better?

This short documentary celebrates the late conceptual artist Chris Burden’s landmark work “Shoot,” in which a friend shot him in the arm. [Overview Courtesy of The New York Times]

A new pet friend, Max enters the lives of four kids, Kailash, Pallavi, Ballu and Ramana, who grow up in and around a sprawling and 'prestigious' apartment. When Max goes missing the four children join hands to search for Max and bring him back home.

The time of exposure is the life span of an object in frame. In this regard, no photo is just a two-dimensional graphic composition - it always has the third, temporal dimension. A photo is a time carrier, the vessel of memory... But whose memory? Of the Face or the Thing or the Landscape which are still on the photo? Of the photographer? A