The workaholic head of the compliance section of a New York bank flies to Monaco to investigate unusual deposits from an offshore bank and meets a down-on-his-luck international film star who has become embroiled in criminal activities.

Young auto mechanic Dan Brady takes $20 from a cash register at work to go on a date with blonde femme fatale Vera Novak. Brady intends to put the money back before it is missed, but the garage's bookkeeper shows up earlier than scheduled. As Brady scrambles to cover evidence of his petty theft, he fast finds himself drawn into an ever worsening "quicksand" of crime.

Randi Stewart is a sergeant on a marine base where her father is the commanding officer. She is being treated by the new base psychiatrist, Bill Turner. Her brother, Gordon Stewart is running for political office. General Stewart is murdered and Randi is the key suspect. Once Bill starts investigating the crime through his treatment of Randi, he begins to uncover an unusually large amount of suicides on the base. The intrigue grows and so does Bill's unprofessional feelings towards Randi. Is she the murderer? He doesn't really want to find out. He just keeps getting sucked deeper and deeper into the "Quicksand".

Ray (Tanner Presswood) and Paul (Simon Elias) are best friends and co-best men in their buddy’s wedding. But when they lose the ring just days before the wedding, their fateful road trip to get it back accelerates into a loud exploration of life, love, and how to not die.

"A week before he passed away, my grandfather shared with me his former aspirations of becoming a filmmaker. After many trials, a narrow escape from the Nazis and immigration to the United States, the dream slowly but surely came true. surely passed out. After his passing, I discovered a treasure trove of dust-covered 8mm film archives that had apparently not been seen by anyone for at least a generation. Mesmerized, what unfolded before me was something something most people, myself included, had never seen before: the development and complete decline of the human body and mind. Motivated by my grandfather's unrealized cinematic dreams, I decided to reconstruct a film that he had already made involuntarily." Lance Oppenheim

‘Quicksand’ tells the story of Jason, a man fighting for his life in the Mediterranean Sea. The film amplifies tendencies within present day Europe and sets it in the near future in a hostile environment where the manufacturing industry is long gone, job security is a thing of the past, and people are competing for work that is poorly paid and on a casual basis. The economy has imploded, hospitals and state schools are closing, trains rarely run. Politically, the far right has become increasingly influential, taking advantage of people’s frustrations to stoke resentment against immigrants. EU has collapsed and throughout Europe, borders have closed. It is against this backdrop that Jason, a husband and father has decided to join the exodus of people who pay people smugglers to help them leave Europe in the hope of starting a new life ‘somewhere else’. Jason’s journey ends when the boat he is in capsizes and he and many other European migrants are struggling to survive.

A woman returns from the beach and ends up taking a little more home with her than she thought.

Couple Dan and Sarah, living out their dream in paradisal Spain, come to grief when their visiting son is accidentally killed. A stranger offers to avenge his death and a cycle of innocent murders unfolds.

After a tragedy at a school sends shock waves through a wealthy Stockholm suburb, a seemingly well-adjusted teen finds herself on trial for murder.

A married couple on the brink of divorce becomes trapped in quicksand while hiking through a Colombian rainforest. It’s a struggle for survival as they battle the elements of the jungle and must work together in order to escape.

This is a contemporary adaptation of Jun'ichirō Tanizaki's novel Manji, reimagined with reversed genders to depict a destructive love story between men and women. Kōtarō Sonoda, unable to give up his dream of becoming a painter, quits his office job and starts attending art school. At school, he encounters a beautiful young man named Mitsuru Usami. Sonoda invites Usami to his home, leading to a physical relationship and growing distance from his wife, Yayoi. However, it is later revealed that Usami has a fiancée.

A young woman finds herself struggling to maintain her mental health and grounded family life on a rural Dutch island when her capricious, city-dwelling thespian mother falls incurably ill and expects her increasingly regular company and assistance.

Set in France's Carmargue area during the late 1950s, this provocative, powerful drama chronicles the labor dispute between an exploitative farmer and his newest worker, a Spanish emigrant who turns about to much more than he first appears. Manuel comes to Roger's spread in 1958 to plead for employment. Roger is impressed by the well-spoken, seemingly well-educated Manuel, who is also an excellent mechanic and gives him work and a cabin that he will share with the naïve Mouloud. Manuel turns out to be a man with a secret and when Roger learns of it, he attempts to blackmail Manuel, who in turn learns a few of Roger's secrets thereby creating a stalemate that ends tragically after the arrival of Manuel's old-time friend Antonio, who starts a fracas by leading a strike against Roger. The title refers to the deadly sand traps found within the surrounding marshes. They have already claimed the lives of two people before the story began and by its end, the traps will claim more lives.

A tremor struck the Information Industry Bureau of the Ministry of International Trade and Industry. The prosecution arrested a local contractor on suspicion of bribery, and then the brunt was directed to the Information Industry Bureau. The interviewee was Akihiko Kurahashi (Shinobu Tsuruta), the leader of the non-carrier group. Previously, Kiichiro Yamada (Ken Ogata), a clerk who lived next door in the government building, couldn't help but sympathize with Kurahashi, who had succeeded in his career.

Part 9 of Koike Teruo’s Ecosystem series. 8mm

For all Frits, a farmer's son, knows, his mother died when giving birth to him. He and his father make up a strong team. In the literal and figurative sense, because his father not only teaches him to milk the cows and hunt, he is also the coach of his soccer team. The happy tide turns when the boy turns eighteen and is scouted as a promising soccer talent. Suddenly, Frits's future is no longer with his father on the farm, but on the green grass of the Nijmegen soccer club NEC. His son's splendid soccer career may be the crowning glory of the farmer's hard work, but he is afraid he will also lose his only child. Desperate, he reveals the lie with which he raised his son. Frits is bewildered and makes a dramatic decision.

Pinku from 1968.

An unexpected discovery rears its ugly head and threatens to unravel Sally’s secret sex addiction. Sally is now forced to take drastic measures to protect her double life.