Barbara Ohana's song "Chains" is dubbed by a man who performs the song while the music video also presents him as the main character in a story where he feels broken-hearted, possibly because he still has feelings for his ex-boyfriend. As for the memories left, a masculine mannequin is what makes him company, which helps a little but not for too long.

They're the curvaceous coeds that drive fraternity guys - and everyone else - wild with desire.

A short film with soundtrack by Harry Partch: a ballet for gymnasts.

Three generationally-divided rural women manage the challenges of working on the land amidst a continually changing agricultural industry.

A socially inept New Yorker impulsively moves to Los Angeles in search of a chosen family in the LGBTQIA community only to find making friends later in life harder than imagined.

Cadu’s life is bland. One day, his parents deliver him the key to the house of his deceased grandma. There, he finds inspiration to find some “flavor” in his life.

After an unexpected death, the regretful Gordon seeks to resolve a personal conflict.

The story of the AIDS epidemic from its early, ominous beginnings and the wave of death that followed, through the formation of ACT UP and the arrival of life-prolonging medicines. This program is comprised of interview outtakes from the documentary motion picture VITO, about gay activist and film historian Vito Russo.

Jamaa Fanaka’s first project plays off the Blaxploitation’s genre conventions, an adaption of Goethe’s “Faust” presented with a non-synchronous soundtrack and superimposed over a remake of Super Fly (1972). Often out of focus with an overactive camera, the film immediately exudes nervous energy, but unlike Priest’s elegant cocaine consumption in Super Fly, Willie’s arm gushes blood as he injects heroin. A morality tale in two reels. —Jan-Christopher Horak

Clerk in The Meadow is sitting in an apartment. The surrounding air is dusty and smells of books. The sound of Philip Glass fills the headphones. His thoughts are floating around. He is thinking of the fabric of reality. What is the world made of? What was the beginning? Is it the mythological reality of Genesis on the first day of creation, or a second after the Big Bang? Stories of the world coming into being often start with mentions of light, with calling upon light – moving away from the void and from the past and getting ready to awakening and transformation. He is fantasizing about light and lightness. It is about origins of the beginning and the beginning of each day, about sun rays as pets.

With somatic knowledge, Naima Ramos-Chapman sculpts a kinetic monument on the same rooftop in the name of healing and freedom-- where they were arrested at gunpoint as a teen in 2005. Filmed during the pandemic and in the midst of the BLM movement, they intend to liberate their own body through the process of rupturing memory with collective recall and dreaming in response to the state violence and the only virus that has truly plagued their family for generations: white supremacy. May this be a balm.

The film was realized according to the formulaic concept "TAM 4/71."

Legendary Australian band Icehouse feature at the 2011 Homebake Music Festival live from The Domain, Sydney

Suede's live performance at the Justin Herman Plaza.