"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

“Second Chances: One Year in Ohio’s Drug Courts” shows the complicated struggle of drug addiction and how courts can play a crucial role in the recovery attempts of users, their families and communities. The one-hour film was produced and edited by Anne Fife of Ohio Government Telecommunications under contract to the Ohio Supreme Court’s Office of Public Information. It was released through the office’s Court News Ohio website and will be made widely available. It follows the drug use and adjudication of 19 Ohioans.

Rossellini’s biopic of the postwar Christian Democrat leader, Alcide De Gaspari, who was responsible for keeping the Communists out of power in the years that followed the fall of fascism.

In February 1917, Imperial Russia plunges into revolution. Nine months of unrest before a coup brought about an upheaval that changed the course of history and profoundly altered the future of civilisation.

After handsome and rich man Dong-Ni (Alan Tang) is blinded in a car accident, he becomes moody, and does not go out of his room. Dong-Ni's mother hires beautiful Ai-Sha (Chen-chen) as her son's carer. Initially, Dong-Ni often throws tantrums at Ai-Sha, but Ai-Sha is patient, caring and does not give up. Dong-Ni's mother notices Dong-Ni's growing interests in Ai-Sha and becomes concerned, as Ai-Sha is not in the right social class for her son. What would happen to the couple?

When their father gets into a car accident five siblings rush to the hospital. Though they find him in good shape the collision causes past secrets to spill out over one harrowing night.

After Adele gets a shocking call from her girlfriend, she is left alone with the consequences of it.

What happens when you leave home on a bike with no other plan than to ride eastwards? Embarking on just such an adventure, Martijn Doolaard decided to cycle from Amsterdam to Singapore. One Year on a Bike chronicles his slow travels over 17,000 km—passing through the wilds of Eastern Europe, the mountains of Kyrgyzstan, and the temples of Myanmar. Stories of animal encounters, camping at salt lakes and on deserted beaches, and Iranian hospitality are accompanied by photography that captures the breathtaking scenery, the chance meetings and friendships, and the buzz of global cities. This movie and book details the beauty and self-discoveries, as well as the hardships and the gear necessary, on this incredible one-man journey.

Miroslava comes to life after the age of five. Miroslava was buried that the 6-year-old daughter Nastya calls her mother. Giving herself the status, she is not going to and begins to pretend that she does not recognize the woman. Miroslava moved a few months before the terrible accident, no. "Mama". Miroslava will get what she wants - her name, life and love of little Nastya.

In a country ruled by the Liberal Democratic Party, running on austerity and neoliberal ambitions, for most of its postwar years, gender and economic inequalities have become increasingly acute in Japan. Takashi Nishihara, a filmmaker who has been following the youth protests in Japan notices that there is one party that seems to be raising issues of gender and economic in the political sphere, the Japanese Communist Party (JCP), a party about to enter its hundredth year and consistently burdened by its historical connotations. Though an outsider of the party, Nishihara gained unprecedented access to the JCP and driven by his interest in the younger party members who find hope in the JCP, the resulting documentary goes beyond party politics and observes the current grassroots leftist movements in Japan. It also becomes witness to the larger and deep-seated patriarchal system that continues to quell momentums of hope.

directed by Beppe Scavuzzo, itself dealing with a massive Italian earthquake. The film was shown in 1970, though it is set itself across a scattering of time: in January 1968, when the earthquake came, in the days and weeks of its immediate aftermath amongst the rubble and crisis, and in all the days and weeks and months after, adding up to the year one of the title, at which point the promised aid still had not come, despite 100,000 left homeless

This unflinching examination of the war in Iraq follows soldiers from the elite 101st Airborne Division for 14 months, from stateside preparations to their deployment in Iraq and back home again. Throughout, soldiers speak candidly about their experience in the military and demonstrate the powerful bond established as they struggle to stay alive.

The early films of Wim Wenders are now regarded as landmarks of European film. Alice in the Cities, Wrong Move and Kings of the Road became foundations of the German New Wave and cemented the reputation of their director. In One Who Set Forth: Wim Wenders' Early Years Marcel Wehn explores the background to these films. Through personal recollection and rare home movie footage, it documents the director's early life, from experiments with his first camera, via his deviation from a career in medicine in favour of art and film, through to international recognition for the Road Trilogy. Central to these were themes that became cornerstones of all his work: national identity, the importance of personal relationships and the allure of the road. With contributions from the director and the many collaborators who helped define his vision, One Who Set Forth is a compelling account of Wim Wenders' life and work.

An old tea-house attendant told a VGIK student about how in the winter of forty-one, when the fascists were approaching Moscow, he was among those who were assigned to guard the train with apples, which the collective farmers of Uzbekistan sent to the front. The old man's story was so touching and entertaining that Anwar doubted the authenticity of the story. The teahouse did not convince the guy and said goodbye to the student. Later, while picking up material from the military chronicle for his film, Anwar saw on the screen the familiar face of a teahouse and fighters guarding frozen apples. Remembering an unsaid episode of the war, the student went to meet his hero...

Based on the letters of Anatoly Cherepashchuk. A schoolboy from the city of Syzran writes letters to a scientist about his attempts to assemble a reflector telescope. He asks for the lenses for his observation device and in the following letters tells how the work is going. One day, with the help of his telescope, a young scientist discovers a new comet.

What happens in the eyes of a 100-year-old filmmaker? Rolands Kalniņš, one of the great masters of Latvian cinema, sits down to have his photo taken and looks straight in the lens. Kalniņš’ life has spanned an authoritarian regime, a world war, long years under Soviet occupation and censorship, and retirement in independent Latvia. His films have been censored, destroyed, found and restored. But here, like Herz Frank once did with a child, for ten minutes we shall observe the micro-emotions of a man who has dedicated his life to film. Confronted directly by the tool of his trade, the camera. As we face Kalniņš eye to eye, we hear the sounds of his present, and the memories of his past.

Erich Langeder's film project came about when, in autumn 2017, numerous members of the pre-monastery expressed their desire for a film about their pre-monastery during a district meeting for this year's 100th anniversary celebration. The aim of the film is to show the urban and social development of the district over the past 100 years, as well as visions for the future. A wide variety of people had their say, telling their very personal memories, stories and anecdotes about the pre-monastery.

Harasaki, Kikushima, and Morita, who left their hometown to live in the city, reunite for the first time in ten years. Harasaki and Kikushima have been estranged after an incident, but with Morita’s help, the distance between the three gradually closes.