During the Second World War in the United States, cinema was extensively used as a propaganda vehicle. All the great filmmakers were involved: Capra, Ford, Huston, and Hollywood's new master of suspense, Alfred Hitchcock. After making several films advocating American entry into the war alongside the British, in direct violation of the Neutrality Act, Hitchcock took advantage of Zanuck's departure from 20th Century Fox to launch a major new propaganda project: Lifeboat. He asked John Steinbeck to write the basic story. This great American literary figure, author of The Grapes of Wrath, whose adaptation was one of Fox's biggest successes, was himself very committed to the war effort. When Lifeboat was released, success quickly turned to controversy. What if Hitchcock's film had completely missed the mark? What if, instead of providing anti-Nazi propaganda, the film actually defended the thesis that the German people were superior to the Allies and the union of democracies?

The Reichsfuhrer-SS Heinrich Himmler was Adolf Hitler's most loyal henchman and one of the most feared men of WWII. Surprisingly, he had only one problem... He had no stomach for murder! When the Reichsfuhrer-SS becomes physically ill during the execution of Russian POW's on the Eastern front in 1941. Ruthless, careerist SS General Hans Shellenberg rats Himmler out to the Fuhrer, Adolf Hitler. Hitler tests his loyal Heinrich forcing him to commit the murder of a Polish prisoner named Danuta with his own hands. Thus awakening the Monster within him that will horrify the world for generations to come! Himmler may please his Fuhrer in 1941, but what awaits him after he commits suicide in 1945 is nothing less than Hell itself. See what happens when Himmler meets Erebus, the gatekeeper of Hell! See the nightmarish suffering that awaits the infamous Nazi leader who murdered millions!

A reckoning of Nazi Germany’s planned execution of its own citizens with physical and mental disabilities whom they deemed useless to their society.

The documentary of the Nuremberg War Trials of 21 Nazi dignitaries held after World War II.

Leni Riefenstahl's flamboyant Nazi aesthetics shaped the public image of the 1936 Olympics. Never before had sports and politics been mixed. Through archive photos and reconstructions, we get a closer look into the historical propaganda show.

An analysis of The Kindly Ones, Jonathan Littell's controversial novel, published in 2006, which dissects the ruthless mechanisms of the Shoah from the detached point of view of Maximilian Aue, a high-ranking Nazi officer.

The film focuses on gay men who align themselves with hard-core right wing views, skinheads and Nazis. Rosa von Praunheim stated of the subjects featured in the documentary, “Some may be shocked that I do not take a stand in my film and do not portray gay neo-Nazis as monsters, but as people living their lives in dramatic contradiction.”

Seldom does a documentary film accomplish so much as Beruf Neonazi. Aside from the rather frightening look into the current world of holocaust denial and pro Hitler ideology, the contents of the film were used as evidence to secure a court conviction.

Veteran actors from the 3 Baltic countries - Estonia, Latvia and Lithuania - gather at a castle in Latvia to receive awards for their roles as Nazi villains in propagandist Soviet war films. They reminisce about the films that made them famous throughout the USSR, but also stigmatized the Baltic countries as Nazi sympathizers in the eyes of many Russians - a misconception that is nowadays exploited by the Russian media, desperate to label the Baltic countries as a fascist haven.

In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.

During the Second World War, the allies' key objective was to crack the German army's encrypted communications code. Without a doubt, the key player in this game was Alan Turing, an interdisciplinary scientist and a long-forgotten hero.