Leave It to Larry is a 1952-1953 CBS sitcom starring Eddie Albert as Larry Tucker, a shoe salesman who lives with his own family in the residence of his employer and father-in-law, played by Ed Begley, Sr., in the role of Mr. Koppel. Begley though only five years older than Albert was still cast as the father-in-law. Joining Albert and Begley on the short-lived series were Betty Kean as wife Amy Tucker; Glenn Walken as 7-year-old Stevie Tucker, and Lydia Schaffer as daughter Harriet Tucker in her only acting role. The program aired five years before Jerry Mathers starred in the similarly titled Leave It to Beaver, originally on CBS and later ABC. Leave It to Beaver also had a character named “Larry" – Larry Mondello played by Rusty Stevens, the son of Margaret Mondello, played on the series by character actress Madge Blake. Leave It to Larry aired on Tuesday at 8 p.m. before The Red Buttons Show on CBS and opposite Milton Berle’s Texaco Star Theater on NBC. In the 1953-1954 season, The Gene Autry Show replaced Leave it to Larry on the CBS schedule, and Red Buttons yielded to the long-running The Red Skelton Show.

October 20, 2022 - Ben deHoedt put out the call for help on the Sound As Ever Facebook group. He was heading to Sydney to capture Bluebottle Kiss' reunion show at the Crowbar. Earlier that month, he filmed the Melbourne show but technical issues compromised the audio. Sydneysider Daniel Arena responded, providing the wizardry to capture multitrack audio, and with live engineering by Tim Whitten and Lewis Baraliakos, Ben was able to complete a live document in HD.

After a car accident leaves her boyfriend in a coma, April’s panic attacks return and make her life a living hell. However, once she accepts the kindness of a stranger trying to help her, she realizes that he might not be the stranger she thought he is.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Three Kurdish immigrants arrive in the UK, as illegal aliens to seek asylum. Finding they now belong to London's underground.

After working in Germany for many years, the 80-year-old Hasan returns to Turkey and moves in to his old wooden house in the highlands with his cow and calf. Hasan’s son Erdoğan, who works in Germany, ailing a serious disease and his last wish is to spend a few nights in the wooden house, falling into sleep listening to the sounds of the wind. Hasan, who has neglected his son in the past, gets to work on his son’s wish and prepares a room for him. He races against time and after finishing his preparations starts waiting for his son’s arrival.

Preparing a party for her anniversary with the King, when he failed to show up Chocola decided to run away from the castle.

Alex, a tormented teenager, faces the hostility of an unfriendly society on the daily, where her only company is a manipulative monster that lives under her bed.

John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before…

A pair of con men in Monte Carlo attach themselves to a nouveau rich American snob with a weakness for titles...

A TV movie and part of groundbreaking Taiwan TV series “Eleven Women”

Flighty young nurse Izumi Asakura longs to have her honeymoon in a far off tropical paradise but her doctor husband feels that he cannot afford to take time off from developing his career. To Izumi's dismay, Wakabakai General Hospital is fast becoming a far less pleasant place to work, thanks to the appointment of a militaristic chief nurse who demands steadfast adherence to protocol. Things get much worse, however, via the arrival of Saruwatari, a hypochondriac desperate to be re-admitted so that he can enjoy the attentions of nurse Shoko Ozaki. When the chief nurse has him ejected by security, Saruwatari comes back armed and takes everyone on the floor hostage. Shoko happened to be on her lunch break at the time and has trouble getting back into the building when the police swarm around it en masse. The authorities are not sure just how to deal with the situation, though, since the "victims" seem to be taking things far less seriously than they are.

After 140 years, there are alternatives to an asylum. Leaving Romero closely follows the experience of deinstitutionalization, focusing on the lives of the users and those who are the driving force of this process: the young people who make up the Movement for Deinstitutionalization in Romero.

The young librarian Ksenia, who until recently was solving her numerous family and financial problems, one day becomes the owner of an inheritance - a huge apartment, a bank account and a new Mercedes, and with it many secrets and mysteries. Ksenia understands that in this life nothing happens just like that... Step by step she is approaching the solution, not realizing that a threat is already hanging over her...

The story of a Thai-Chinese couple Yong and Ngak who's been together for 7 years. Yong is a salesman while his wife Ngak is just nothing but boring and old. There're many times that Yong thinks of breaking up, but he swore to his grandfather that he will never leave Ngak or else his life will face bad luck. Later, there is a twist in his marriage life as Yong may has to break the word that he promised to his dead grandfather.

Chico, a young man in mourning, has a reunion with his grandfather.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

In 1983, communist Poland is shaken by the case of high school student Grzegorz Przemyk, who is beaten to death by police. The only witness of the beating becomes the number one enemy of the state.

After years of estrangement, Francisca is forced to return home for her father's funeral, confronting a fractured family where family tensions come to the surface, leading Francisca to confront her guilt for abandoning her brother.

A tragic story of love and betrayal during WWII.