A rather gruesome 35mm shop safety film

Jimmy learns to listen

Danny doesn't fit in the box they've been put in.

We Didn't Get Famous is the story of an all but forgotten moment in Southern and music history. The Southern bands making what we'd now call 'indie' music in the 1980s were as equally in debt to punk rock, new wave, and Big Star, as they were to Southern culture and traditions. Their Southern identity, which was sometimes accepted and embraced only reluctantly so, and geographical roots deeply affected the route these bands and their local scenes took. Their sound, spirit, style, and careers were all shaped by being from the South. The bands of the Southern underground scene were fearless, innovative, original, and are enduringly influential and relevant in today's musical climate. Hopefully now they will be more than mere footnotes.

On the streets of Sydney, an iconic Japanese bucker 'Duckman', goes on a bold pursuit of fame, in a world that abused and abandoned him when he was a child.

Optically printed takedown of a classic cartoon. This film turns upside down in the middle and proceeds backwards to the end.

A doctor, very much in love with his beautiful wife, comes to suspect that her visiting childhood friend Jack is more than just a friend. Jack's intentions are honorable, but everything he does tends to show his actions in a suspicious light, especially when burglars invade the house and Jack and the wife are caught together in their nightclothes.

Shot on b/w video

A severely deranged war veteran kidnapps, eviscerates, and slaughters men, women children and babies with various power-tools

Three seven year-olds endure the culinary abuses of their mother. When Mother's aversion to brown eggs gets out of hand, young Chester, Eliza and Godfrey take a stand.

After a failed attempt to resurrect his deceased father through a ritual, Charlie is faced with a battle of morality as he navigates the consequences of his actions.

This 2004 Brian Deer documentary uncovers Andrew Wakefield's MMR vaccine scare.

Emin uses her emotional life as the source and subject matter of her art. This takes the form of narrative or documentation of traumatic events such as the death of a family member or close friend, her rape and her abortions, coupled with the direct expression of such feelings as love, hate, anger, fear and desire. By sharing thoughts and feelings of the type for which people are generally made to feel ashamed, Emin taps into collective experience in an affirmative way.

Explores how Hitler's personal library provides a look into his mind and how it significantly informed his worldview.

Years after a fateful car accident, a recluse remains uncomfortable in his skin and unable to shake off the feeling that a familiar stranger is watching him from just beyond the trees.

An experimental film companion to Benjamin Lasky’s concept album “I Didn’t Mean To Haunt You”, following the story of his ghost watching the world move on from his suicide.