The "man who didn't change history" was a university professor: Ranuccio Bianchi Bandinelli, esteemed Italian scholar of Roman art and a founding father of modern archaeology. A figure that the Fascist regime could be proud of, in the 1930s, if it weren't for the fact that the professor was firmly anti-Fascist. Things came to a head over Hitler's famous journey to Italy in 1938, when Bandinelli was courteously invited to accompany Mussolini and the Führer, serving as tour guide and interpreter at the museums and archaeological sites. Now the dilemma arose: don the uniform and salute the two detested dictators, or compromise a lifetime of study, his career and even his personal safety? When the invitation turned into a peremptory order that Bandinelli couldn't refuse, he no longer had a choice.

Implicitly a reaction to the forms of individualism in a developing modern mass society. Yang Fudong strings together takes with different characters so quickly one after the other that they “lose face.” A man explains to a woman the sentence"I didn't force you". Separate movements of 12-14 people are combined/cut to form a fictive man who repeats the words "I didn't force you" to a woman.

Breast cancer. A sloppy operation. A woman murdered in a brothel room.

What happens to a person's self when she retires and no longer has the job to lean on? Documentary filmmaker Lars Lennart Forsberg asked that question to about ten retirees but never had the chance to complete his project. Olle Häger and Kjell Tunegård had to take over and let the e-mails exchanged between Lars Lennart Forsberg and Olle Häger become keys to "The Film That Didn't Get Made".

A sad story about a young girl who is forced to move from one foster home to another.

In the middle of Seoul, there are places that went off the linear orbit of time, the past or the present. < People who disappeared, the world that didn’t, or vice versa> captures the images of space-time in such places as 'Bada Theater' that opened 40 years ago and closed in 2010, 'Jungang Apartment', a multipurpose apartment block built in 1950s, Print Alley in Euljiro, Clock Alley, etc. Based on the idea of the ‘will of a place’ that a place has its unique way of life and coexists with other places, each with its own time and flow, the video depicts the sense of movement and energy of the things that exist in intangible forms.

Deep down in an empty silo, an intense, but silent battle for a young person in distress plays out. As parents, we don't always know what's going on in our children's heads. Little things can have a big impact in giving them energy to take on life.

Sabotage acts are committed on the film theaters of a city for no apparent reason. Two secretaries of "Mega Film", which has been damaged by a sabotage act, decide to try to find the saboteurs in order to determine what their motives are.

The documentary follows Oleg, Andrey, and other long-distance truck drivers from all over Russia, who turned their outrage against the 2015 bill that required truckers to pay taxes when driving on federal roads into a 9 month long protest.

How many times did a miracle come to the pragmatic clerk Savushkin - and each time he brushed it off, and then powerlessly watched how the miracle and happiness go to another.

Pretty innocent game of two boys caused the man's death. Now they have to decide what to do: hide it or tell the truth...

Arthur, 26, sends an outburst audio to his friend Rachel wishing to be the protagonist and not a victim of reality. A film about pains, about living and dying, about time – quite scarce, it seems – and about the body

A rare case in Serbian history where a civil initiative gets to be recognized by the state and results in introduction of a new law, named after a little girl who died while waiting for the right diagnosis and treatment (“Zoja’s law”). This film aims to show that any ordinary citizen can make a difference. It is an adaptation of the book titled “Zoja”, based on personal experience of Bojana Mirosavljvić and written by Ivana Krgović.

Four kids, who all lost a parent to suicide, share their journey from the moment they heard the news. The filmmaker, who experienced the same tragedy, asks them the questions no one dared to ask her at the time.

When it left, death didn't even close our eyes centers on the testimonies of laborers working in Kosovo’s construction industry. They attest to how this precarious and unregulated labor market has serious human costs to those that have to seek its employment. Speaking of how they are expected to work hours—from 12, 13, 15, even up to 24 hours—and in conditions far beyond prescribed regulations or normal human expectations. One of the primary consequences is a high rate of injury, which then precludes future work in the industry—some workers even admit that they would rather face death than lose the ability to earn a living.

You Didn’t Know About Me proposes a filmic narrative to 7 characters, all with serious mental commitments. The themes presented are free: childhood, nostalgia and loneliness. The scripts elaborated are based on memories and experiences lived by the characters. The condition of invisibility, prejudice and stigmatisation is flagrant in the documentary’s narratives. The way the documentary is made exposes its making: the team and the director are unfolding as characters. At this stage, it is evident how the authors fictionalise personal stories from their past. The inter-dimensional perception of the narratives configures polyphonic plots, with forces in constant tension: directed with the most intimate for each character, and advancing to contemporary political and social issues. The plot surprises by this alternation of narrative focus, it manages to converge on themes that permeate everyone, and are common to all humanity, because of their poetic and existentialist character.

Night time Sofia in the middle of the 80s. Bus 108 is doing its final route towards the Lyulin neighbourhood. A short altrecation between the passengers finishes with the death of one of them. While investigating the cruel crime the detectives from the militia face people's indifference.

Homosexuality remains a sensitive topic on the African continent. Is it an abomination, a sin, a practice imported from the West or perfectly natural? From Yaoundé to Douala, via Abidjan and Dakar, this investigative documentary by two filmmakers from Burkina Faso lays the foundation of a fundamental challenge for African societies.

About the love of a living man and a dead woman, in the truest sense. Victoria is not a corpse, but just a ghost. Before becoming a ghost, she was Stanislav's wife, and they went through the horrors of married life together. To fall in love with his own wife, Stasik had to kill her, and only then realized that he still had romantic feelings for her.