Comedian Chris McCausland visits the world's most stunning places. But he's blind, so he's joined by celebrity guests for commentary.

A video postcard: "Ubi amor ibi oculus" ("Where love is, there is insight").

The young craftsman Gogia and the village girl Tasia fall in love with each other. Arriving in Tasia's village accompanied by a wedding procession, Gogia Can't find his bride anymore, Turns out by the order of Tasia's godmother, the duke's wife, she was taken to the duke's house as a servant. The elderly duke liked Tasia and decided to marry her. Gogia with the help of his friends, Karachokheli, tries to get his bride back.

Serbian rock band Electric orgasm celebrates the 40th anniversary of work.

In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery. But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades. Contributors include: Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.

Three young ad-men enter the woods for a photo shoot, but a girlfriend's mysterious disappearance sparks a harrowing descent into unreality.

As prologue to a trilogy of films about 9/11 America, this is the first channel of Laura Poitras’s double video installation. The film captures, in haunting slow-motion, the faces of stunned and saddened onlookers gazing at the unseen rubble of the World Trade Center shortly after the 9/11 attacks. The soundtrack is composed of the National Anthem recorded in October 2001 at the Yankees' World Series Game 4 in New York.

This is the second channel of Laura Poitras’s double video installation. It is comprised of United States military footage of interrogations, conducted shortly after 9/11, with two U.S. prisoners in Afghanistan, one of whom, Salim Hamdan, is the subject of Poitras’s feature documentary THE OATH.

Having recently split up, Ezra and Frankie reckon with love, loss and life.

Lesbians explore the issues surrounding the production of lesbian based art: visibility, marginalization, subject matter, peers, and the medium itself.

WHO CAN SEE FOREVER is part concert film, part music documentary and part meditative examination of one of independent music’s most prolific singer-songwriters, Iron & Wine’s Sam Beam.

Part 3 of Shaw's Quantification Trilogy. The film is a vérité account of the only known survivor of a failed government experiment. Born with an 8.7% Machine DNA biology, yet uninterested in the virtual reality-trappings of his time, this man commits to a life immersed in dance.

Memory, the fight against oblivion and the search for identity are some of the themes that nourish Non te vexo. The film traces the traces of the past with the help of archival images, traversed by several voices. One Mississippi, two Mississippis, three Mississippis...

I Can See Your Voice is back! Join the sing-vestigators as they deliberate whether a person is a see-nger or a see-ntunado.

Figment needs Todd and Dhara to help him. He is on a treasure hunt, looking for the "Bookus Dragonius," which contains all of the world's wisdom. The book was hidden by his Uncle Max (The Reluctant Dragon) who loved word play, puzzles, and anagrams. Together they find many clues left by Uncle Max: rhyming clues, anagrams, puzzles, books, brain-teasers, and a rebus are all part of this mystery. They solve these clues—and then finally figure it all out.

A 2010 English language animation film directed by Lotti Bauer.

An absurd dystopia featuring our senses. About sound, sight and wagging tongues.

Shot from the inside of a house and through a window's curtains, one can sometimes distinguish the colorful flowers in the yard outside. But, as in much of her other film work, JoAnn Elam is apparently more interested in filming textures, light, and colors. Panning over the curtains at various speed, the camera captures their rhythm and the effect of the light on their fabric at close range, until it becomes difficult to identify the object turned pure light and movement.

Forced to become a mother, Helena plans to run away with her boyfriend and abandon her son. However, on the day of the escape, the boy gives up and leaves her alone, desolate. Determined to keep on the run, Helena embarks on her theory that her entire life has been a lie and she has never had a child.