Akira Ifukube has arranged music from his fantastic films into a three-movement symphony, presented here with scenes from the films the music was originally written for. The second half features Makoto Inoue's synthesizer arrangements of Ifukube's music. In this portion, all the music is by Ifukube, but it shows scenes from films Ifukube did not work on. Showcases footage from various monster and science fiction films from Ishiro Honda as well as scenes from Senkichi Taniguchi's Adventure of Kigan Castle.

A short film made exclusively for Toho's Online Godzilla Fest 2020. Godzilla rampages through the city before approaching a reporter standing in the street.

A short sequel to Godzilla Appears at Godzilla Fest, released on G-Fest 2021 and dedicated to the 50th anniversary of original Godzilla vs. Hedorah (1971).

The life of Eiji Tsuburaya, pioneer of Japanese special effects.

A brief biography of film director Ishiro Honda.

Godzilla fans discuss their love for the iconic franchise.

In an unforgettable sequence, the severely injured Godzilla is brought back to life by the power of a nuclear blast. To bring this scene to the screen, the filmmakers created Godzilla's undersea lair, a vast watery cathedral surrounded by radioactive thermal vents from which The King derives his atomic power. For the first time ever, audiences get to see Godzilla's deep-sea bachelor pad and watch as he rises to glory again.

In a sequence both majestic and horrifying, the larva who will become Mothra, Queen of the Monsters, emerges from her egg sack beneath a megalithic pyramid towering above China's primordial rainforest. Discover how this stunning sequence - and the ancient Yunnan Temple where it takes place - were created.

In Monarch's Antarctic Base, a frozen fortress buffeted by screaming winds and surrounded by impenetrable ice, King Ghidorah shakes off his icy slumber and escapes in one of the film's most thrilling sequences. Join the filmmakers as they reveal how King Ghidorah was brought to terrifying life inside Monarch's underground biolab with its towering ice wall.

The blast doors slowly open, revealing for the first time - Godzilla, his bioluminescent dorsal spikes outlining his shape in the murky waters of the Atlantic. The scene of Godzilla's first appearance at Monarch's Deep Sea Command Center shows us a vision of The King as we've never seen him before. Join the filmmaking team as they illuminate the creation of this breathtaking sequence, and the location where it takes place: Castle Bravo, Monarch's epic underwater research complex.

An NHK documentary about the talented actresses who have portrayed the beautiful, intelligent and resourceful heroines of the long running series. Features interviews with Kumi Mizuno, Keiko Mari, Yumiko Shaku, and Megumi Odaka. Also featured are never before seen 8mm home movies shot by producer Tomoyuki Tanaka on the sets of classic Toho films.

Join the filmmakers and their special effects wizards in this high-energy look at the tech that makes Monarch's missions possible. Go inside the enormous Argo command ship and the tiny submersible that locates Godzilla's hidden lair. Discover the secrets of the oxygen destroyer and why it failed to kill King Ghidorah. Crack open the ORCA to discover how this dog-whistle-for-monsters is based on real-life technology - with a whiff of fantasy thrown in. And find out what's on all those beautiful display screens in Monarch's bases around the world.

A former 3D theme park attraction at Sanrio Puroland. A spaceship called Earth is dispatched to investigate the disappearance of its counterpart on a monster-filled planet beyond our Solar System. Once there, it quickly spots the downed craft, and is promptly attacked by Mothra and Rodan. It spots Godzilla and opens fire on him, giving the Planet enough time to escape.

A screeching battle cry echoes from a burning volcano as Rodan rises with smoldering wings to conquer the air. Discover how this sequence came to life, combining modern visual effects with traditional on-location filmmaking. For the panicked evacuation of Isla de Mona, the filmmakers shot in historic Mexico City, enlisting hundreds of locals to portray terrified villagers. It was a bit of old-school Hollywood movie making in an otherwise cutting-edge motion picture.

Despite repeatedly being told not to, famed kaiju illustrator Matt Frank presses a button. He shouldn't have pressed the button.

A screen test using stop motion to animate Godzilla being attacked by Biollante's vines included as an extra on home media releases.

A squad of army men led by the Army Commander (Attack on Aaric) go out and recover a ufo that crashed a decade ago by a farm house back in 1963. Monsters from pollution and invaders from space come down to earth causing havoc, and a new war between man and martians. Will Godzilla be able to bring all monsters together to stop these creatures?!?!

Godzilla characters as ninjas. An entry for GEMSTONE's Creators Audition, a collaborative project between Toho Co., Ltd. and AlphaBoat in which Japanese artists and filmmakers competed in a challenge to create new works inspired by the Godzilla series.

When the terrible 1960 earthquake hit Agadir, the local cinema Salam was showing Ishiro Honda and Terry O. Morse’s Godzilla, King of Monsters! Weirdly enough, it was also one of the few buildings to survive the tragedy. Many years later, Gilles Aubry visits the place trying to understand how the memory of the seismic event has survived and is transmitted to the new generations. Shot inside the cinema and in the surroundings of Agadir, the film is driven by an abstract soundtrack recorded on location.

A short film shown exclusively to visitors of the Godzilla museum and Shin Godzilla statue at Awaji Island. The legendary figure of Godzilla was first confirmed at the beginning of the Meiji era when a typhoon hit Awaji Island. Godzilla, who appeared among the high waves, roamed the island, leaving tremendous damage in its wake.