Starring Mimi Lana, a disillusioned journalist stumbles across an old polaroid camera showing pictures of tragic events from the future. Teaming up with a group of vigilantes, she embarks on missions to rescue innocent lives. But soon, the pictures begin to reveal secrets of a larger conspiracy – one that is closely tied to the death of her mother 10 years ago.

Lawrence Jackson and Eddie Myers could not be more different. Jackson is an ambitious young police officer saddled with the responsibilities of a wife and children. Myers is an escaped criminal turned informer, presumed dead. But as Jackson discovers whilst holidaying in Spain, Myers is very much alive. He has reinvented himself as Phillip von Joel, handsome, dangerously charismatic and very wealthy. Extradited back to England after a nerve-wracking Scotland Yard Operation, von Joel agrees to a deal with the Police, He'll tell what he knows - but only if Jackson is his interrogator. So begins a deadly game of cat and mouse between the master criminal and his determined minder. Which comes first - duty or temptation?

Joe Don Baker plays a gambler who is framed for a crime he did not commit. A corrupt legal system leads him into a plea bargain and four years behind bars. By the time he gets out of prison, he's determined to put together the pieces of his frame-up and dole out the justice he was denied to those responsible.

A man on the brink looks at a series of photographs from his life as he decides whether it’s a life worth living.

Truck driver Mike Lambert is a down-and-out mining engineer searching for a job. When his rig breaks down in a small town, he happens upon a venomous seductress. When her boyfriend robs a bank, they intend to frame Lambert.

A group of young people is attacked by three individuals. Cruel games and tortures will be broadcast in live streaming.

Marc Fennell investigates an art heist like no other. It's 1986 and Australia's most expensive painting has vanished from the National Gallery of Victoria. The only clues, a series of bizarre ransom notes and a city full of rumours. This is the true-crime story of Picasso's The Weeping Woman.

New York detective Mike Santini is enjoying a holiday with his family when he spots Eddie Meyers a fugitive from justice who might be the key witness in a high profile case involving money laundering. Santini plays a major role in capturing Meyers which prompts the wiley criminal to request Santini to be the interrogating officer. The two size each other up in the interrogation room in a thriller that provides a number of unexpected twists.

A moral discussion between sexes arises when an aspiring photographer secretly takes pictures of his barely dressed neighbour in the search for his artistic expression.

The National Gallery in London has flooded, and senior curator Quentin Lester has a dramatic solution. He proposes that the entire collection of priceless paintings should be removed from London and stored in an abandoned slate mine inside a Welsh mountain, as they were during the Second World War. Soon after Quentin is settled in North Wales admittedly more at home in a cave among his paintings than he is with other people he unwittingly sets in motion a series of events that wake up this sleepy, charming town. After mistaking local boy Dylan Hughes for an art history genius, Quentin finds himself in the middle of mayhem.

Charlotte, a young woman dealing with the death of her mother, confronts her father. She decides to poison him. However, after unexpected evidence surfaces, she realizes that she may have made a grave mistake.

Rose Manning swears revenge for the unjust slaying of her father by Inspector McArthur. Five years later, as a nightclub hostess, she is sought by Chuck Gaines, secretly a bootlegger, but she centers her attentions on young Jimmy Carter, who, she learns, is the son of McArthur.

A young newspaper reporter finds himself framed for murder.

16mm / color / sound

Six college students try to play a prank on the Dean. When he ends up dead and the trail leads to them, they need to explain what happened.

In a world that someone else has shaped for us, are we really in charge of our destiny?

Framed is presented in a single-channel video using two elements. The first element is the film footage that was found by the artists at the U.S. National Film Archive. These staged films, produced by the War Relocation Authority (WRA), captured a fictional idealized life of Japanese Americans in the American concentration camps during World War II. More than a hundred thousand innocent civilians of Japanese descent were incarcerated solely based on their ancestry. To legitimize the abrogation of civil rights, the WRA produced this wartime propaganda. The second element is the slide show in which the still images reframe the raw material of the WRA films.

Silent film drama..

A painter is accused of art-forging. He thinks his girlfriend betrayed him, so it's time for revenge.