Class 7B from N. Koch's school in Aarhus are the stars of the film, which deals with all the joys and problems experienced by the pupils - on the border of the adult world. The film contains all elements: The boys who enjoy the pictures of the pornographic magazines, the girls practicing in front of the mirror, intrigues, unrequited love, sexuality, and feelings which cannot be controlled.

After their high school basketball coach passes away, five good friends and former teammates reunite for a Fourth of July holiday weekend.

Lenny has relocated his family back to the small town where he and his friends grew up. This time around, the grown ups are the ones learning lessons from their kids on a day notoriously full of surprises—the last day of school.

The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.