A chronicle of three weeks in the lives of several high school teachers, administrators and students through the eyes of substitute teacher, Henry Barthes. Henry roams from school to school, imparting modes of knowledge, but never staying long enough to form any semblance of sentient attachment.

Detachment is a remotely filmed international web-series which takes an anthology style approach in a time of crisis, a time where the world is falling apart at the seams. This looks at how different people deal with that. We open in the midst of an ongoing event but we jump about the timeline as we build the story of this falling race.

Wu Qionghua, a house maid, is abused by a cruel warlord until she joins a troop of women soldiers.

A Partisan unit goes into battle with the enemy twice stronger, somehow resists detachment to attack deep into the night, where the fraud are captured combatants from all units and thrown to the terrible torture and eventually murder.

In a world overrun by zombies, Ha-young struggles with his love for his daughter Ye-eun, who has become one of the undead. As he grapples with the morality of his actions, he encounters an old childhood friend, Suck-kil, which leads to a series of events that force Ha-young to confront the true horror of his situation.

The Trubachyov's pioneers detachment is stuck in the occupied territories during WWII. The children are trying to fight the enemy...

A recording of the Beijing Opera version of The Red Detachment of Women filmed by the August First Film Studio in 1972. Toward the end of the Cultural Revolution, the ballet version was adapted into this Beijing opera.

The story of how Soviet troops were surrounded and sieged in the Adzhimushkay quarries. The action takes place in 1942 on the Crimean peninsula.

A filmed 1970 performance of the China Central Ballet Troupe. Adapted from the film of the same title, The Red Detachment of Women was first staged in Beijing in 1964 and was one of the Eight Model Operas which dominated the national stage during the Cultural Revolution.

Ohad Milstein’s documentary follows four narratives of voluntary loneliness which traverse distant, cooler orbits around the warm Israeli sun. A butterfly collector, a man with a bionic hand, a self-sufficient family living in the outer reaches of a desolate forest, and a pet taxidermist. All of these individuals inhabit their own respective spaces and are wholly devoted to their world and nowhere else. Between them is one man with his camera who, via the people and the places explores the emotional, artistic, and technological conditions that allow and sustain the very existence of his own filmmaking.

The Pink Detachment is an update of “The Red Detachment of Women” (1964), a Model Opera from China’s Cultural Revolution. Here the protagonists are an accident-prone worker and a ballerina-manager who has the tools to alleviate the worker’s problems. At the center of the piece is the color equation, Red + White = Pink, from which multiple parallel meanings emerge. The first is the old term “pinko,” meaning a watered down Communism, or a liberal with uncommitted Red sympathies. The second is a proposal to solve future crises in meat supply by re-valuating hot dog and sausage production as a solution, by integrating ‘undesirable’ portions of pig with the ‘desirable’ portions, embodying perfect equivalence in consumable form. And the third is pink as femininity – not as a ‘natural’ fleshy softness, but rather a synthetic, engineered (and potentially violent) hybridity.

A lovesick woman is forcibly taken to the world's first state-funded rehab for people unable to metabolize loss.

Satam is a criminal kingpin who has long been targeted by Interpol. Satam is very difficult to be arrested because he always establishes his headquarter in densely populated slums. The locals are used as a scapegoat if the government dare to attack Satam. At this time Satam is operating in Indonesia. An Indonesia elite team plans to arrest Satam. They manage to enter Satam’s area. The fight was very stressful to the bitter end of sadistic Satam.

A parade in the Vatican.

In the waters of the Pacific Ocean, regular maneuvers of the Soviet and American squadrons are taking place. After months of autonomous navigation, our military frigate heads to its home base. The distress signal received forces sailors to change course. The CIA arranges a provocation: on a secret American base, one of the missile launchers was prepared for a real strike on the enemy’s squadron. Instead of saving people, Soviet sailors will have to intervene in the deadly game started by NATO. At the cost of tremendous effort, the crew of one of the Soviet ships managed to prevent the catastrophe provoked by CIA agents. They enter a real battle...

One boy, one girl. One close space, one silent night. What is the relation between them? The great works in art history structure, influence their relations, and show us something. At the same time, the boy and the girl convey their experience and taste on these works. Usually, a boy and a girl will make love to end a scene or a film, but it didn’t happen. It seems that they spend the night clearly, but the tomorrow is still unknown.

In 2535 A.D., after decades of oppressive policies instituted by the Terran government, the people of the colony world Omni joined together to declare their independence from the tyranny of planet Earth. Lacking an established military or specialized weapons of warfare, the Omni rebellion seemed doomed to failure. However, by adapting the robotic Power Loaders used for unloading spaceships into man-like battle tanks, the Rebel forces instead introduced a whole new era of mechanized combat. Now, the future of the planet Omni rests upon a handful of young female pilots who serve in the special Detachment of Limited Line Service. Their code name: The Power Dolls!

Members of a partisan underground unit struggle during the anti-fascist Bulgarian Resistance of World War II.