One little ancient British village still holds out against the Roman invaders. Asterix and Obelix are invited to help. They must face fog, rain, warm beer and boiled boar with mint sauce, but they soon have Governor Encyclopaedius Britannicus's Romans declining and falling. Until a wild race for a barrel of magic potion lands them in the drink.

The Complete And Utter History Of Britain was a 1969 television comedy sketch show. It was created and written by Michael Palin and Terry Jones between the two series of Do Not Adjust Your Set. It was produced for and broadcast by London Weekend Television but was not shown in other ITV regions. The idea was to replay history as if television had been around at the time. Sketches included interviews with the vital characters in the dressing-room after the Battle of Hastings, Samuel Pepys presenting a TV chat-show and an estate agent trying to sell Stonehenge to a young couple looking for their first home. Seven programmes were written and produced, but LWT amalgamated the first two episodes into a single "stronger" episode, resulting in a six-part series. For many years the entire series was believed to have been wiped. However, copies of the first two episodes have now been found, as have the complete first two episodes as produced. As of June 2008, none are known to have been repeated on television or released on DVD. Terry Jones has expressed dissatisfaction with the show, complaining after a showing of surviving episodes that the pacing was off and the soundtrack all wrong.

Andrew Marr discovers why the Scotland he grew up in has changed so much politically, and whether, after the Brexit vote, we will see Scottish independence and the break-up of the UK.

David Dimbleby takes to his wooden sailing boat to explore Britain's rich maritime heritage.

Britain's Secret Seas is a documentary series which follows Paul Rose as he joins forces with marine biologist Tooni Mahto and underwater archaeologist Frank Pope to learn more about the world that lies beneath the country's seas.

The First Georgians: The German Kings Who Made Britain, will present the revealing and surprising story of Britain in the reigns of George I and George II (1714-60) – the age of the ‘German Georges’. In 1714, Britain imported a new German royal family from Hanover, headed by Georg Ludwig (aka George I) - an uncharismatic, middle-aged man with a limited grasp of English. Lucy Worsley will reveal how this unlikely new dynasty secured the throne – and how they kept it. An intimate and close-up portrait of these German kings of Britain, the series will follow George I, his son George II, and their feuding family as they slowly established themselves in their adopted kingdom - despite ongoing threats from invading Jacobites and a lukewarm initial response from the British public.

Series telling the story of how the craft and manufacturing skills have shaped the country's towns and cities and built modern Great Britain.

Michael Portillo returns with an authored documentary, that uses British state papers to shed fresh light on key events and personalities during the Civil War period in Ireland.

A documentary on how British double-dealing during the First World War ignited the conflict between Arab and Jew in the Middle East. The bitter struggle between Arab and Jew for control of the Holy Land has caused untold suffering in the Middle East for generations. It is often claimed that the crisis originated with Jewish emigration to Palestine and the foundation of the state of Israel. Yet the roots of the conflict are to be found much earlier – in British double-dealing during the First World War. This is a story of intrigue among rival empires; of misguided strategies; and of how conflicting promises to Arab and Jew created a legacy of bloodshed which determined the fate of the Middle East.

As good as any Dickens novel, this is the triumphant and tragic story of the greatest architectural dynasty of the 19th century. Dan Cruickshank charts the rise of Sir George Gilbert Scott to the very heights of success, the fall of his son George Junior and the rise again of his grandson Giles. It is a story of architects bent on a mission to rebuild Britain. From the Romantic heights of the Midland Hotel at St Pancras station to the modern image of Bankside power station (now Tate Modern), this is the story of a family that shaped the Victorian age and left a giant legacy.

A tormented (but forbidden) history, a culture reduced to provincial folklore, economic difficulties, social conflicts, military and tourist vocations: such is the assessment that we have been able to make of this country. Luckily there were a few of them showing their anger.