Since its birth in 1865, in the wake of the American Civil War, the history of the Ku Klux Klan has been inseparable from that of the United States. The debates over slavery, the populism in the roaring twenties, the struggle for civil rights in the sixties, the rise of the far-right in the early 21st century; the Klan seems to have always embodied the dark side of the nation, with its gray areas and blind spots.

Lisa, a beautiful young Russian woman, is married to Victor, a Portuguese. Fernanda, the Spanish ex-wife of Victor, taking advantage of the coming wave of illegal immigrants in Portugal, wants to do business with false passports. Since then, and to Lisa's desperation, her home becomes a halfway house for immigrants of various nationalities and different races, all in search of a better future. Among them is Andrei, a young Ukrainian orthopedist who is wanted by the Russian mafia. Andrei falls in love with Lisa, who sees in him the opportunity to get out of that life. But things are not simple.

This sparkling, irreverent, and deeply emotional piece of creative nonfiction announces the arrival of a standout filmmaking partnership. When their father is hauled away, a colorful trio of brothers — a sibling team to rival Moe, Larry, and Curly — step up to take care of América, their grandmother, in Colima, Mexico. Rodrigo, Diego, and Bruno are stilt-walkers and acrobats and Elvis impersonators and unicycle riders — when not running the family's agriculture warehouse. With a loose, offhanded charm, Stoll and Whiteside capture the family’s natural performative streak in a way that makes even the most explosive, dramatic moments feel organic. The endearing, genuine scenes between Diego and his grandmother celebrate the possibility of multigenerational connection.

Trying to make a name for themselves in New York's competitive fashion scene, Ben Epstein and his friend and business partner Cam Calderon use their street knowledge and connections to bring their ambitions to fruition. With the help of Cam's cousin Rene, who is trying to market his own high-energy drink, and their well-connected friend Domingo, the burgeoning entrepreneurs set out to make it big, encountering obstacles along the way that will require all their ingenuity to overcome.

An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.

Frederik's attempts at creating the safest place possible, where he is protected by his lovely walls in a room filled with guns. A story of uNRAveling.

Claudio was born in Greece, raised in Venice, married to Taranto, and it was in New York that he was murdered after having pursued the American dream for twenty years. Giacomo Abbruzzese reconstructs his grandfather's story, immersing us in the New York of the 1960s, with Billy Joel's sounds and a gangster movie atmosphere. Through the testimonies and memories of his relatives, on both sides of the ocean, we discover a mysterious, complex character, perpetually on the run. It is the portrait of a man that nobody ever really knew.

Experimental short film.

In 1950 Tel Aviv, a mother and her son receive a telegram with an invitation for a phone call from America. The prospects of the call spark hope for a better life in the mother's heart while her son is busy in his own fantasy world inspired from his life in Israel.

A life imagined, where dwarves run free, full of castles in the air and loving gestures, an existence lived in another place, another world, one step away from eternity.

A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.

1968. USA. Directed by Philip Gittelman and Charles Harbutt. 6 min. Screened at the Museum of Modern Art in New York on July 1, 2017 as part of "Magnum Shorts: American Stories". Accompanies "Beyond the Frame: International Cinema by Magnum Photographers." Philip Gittelman and Charles Harbutt's America puts their photographs alongside selections by Magnum colleagues Eve Arnold, Bruce Davidson, Mary Ellen Mark, and others. Originally anthologized in the book America in Crisis, the project sought to capture the zeitgeist of a divided nation at the end of a tumultuous decade. The film furthers this consideration of an American Dream at an equivocal impasse by juxtaposing the images with a distorted version of "America the Beautiful."

A decade after their wild summer as junior counselors, the gang reunites for a weekend of bonding, hanky-panky and hair-raising adventures.

America is a 2009 Lifetime Television film starring Rosie O'Donnell, Ruby Dee and Philip Johnson. It was directed by Yves Simoneau and written by Joyce Eliason. The film is based on the young adult novel America by E.R. Frank.

America was an hour-long afternoon talk show that aired in syndication from September 16, 1985 until January 3, 1986. The show's hosts were Stuart Damon, Sarah Purcell and McLean Stevenson, with Charlie O'Donnell announcing. The show was produced and distributed by Paramount Television.

Presented by Walsh, the show profiles and assist law enforcement in the apprehension of fugitives wanted for numerous crimes, including murder, rape, kidnapping, child molestation, white-collar crime, organized crime, armed robbery, gang violence, and terrorism, and also many of whom are currently on the FBI Ten Most Wanted Fugitives list.

An Iranian journalist couple wants to move to America to escape the difficulties of their country. The woman receives her visa but her husband doesn't. He stays in Iran and watches his wife find success on television and falls into a state of depression.

Aspiring models compete for a chance to break into the business with a panel of judges critiquing their progress throughout the competition.

The fascinating stories of the families behind the food that built America, those who used brains, muscle, blood, sweat and tears to get to America's heart through its stomach, those who invented new technologies and helped win wars.

Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.