Follows the stories of the four men of the Kirby family. As Alex's marriage breaks apart, Toby tries desperately to start a family, and Marty tries to kick-start his faded music career as well as find a meaningful relationship with someone his own age, all three must come to terms with their father's mental state. Cliff, suffering from Alzheimer's disease, is reliving his disturbing memories of the war and his first love, as a part of his experiences of the present . Through all four stories, we uncover a families troubled past, and their struggle towards a reconciled future.

Follows the stories of the four men of the Kirby family. As Alex's marriage breaks apart, Toby tries desperately to start a family, and Marty tries to kick-start his faded music career as well as find a meaningful relationship with someone his own age, all three must come to terms with their father's mental state. Cliff, suffering from Alzheimer's disease, is reliving his disturbing memories of the war and his first love, as a part of his experiences of the present . Through all four stories, we uncover a families troubled past, and their struggle towards a reconciled future.

A year into the COVID-19 pandemic, an artist heads to a park to paint. When a traveler encroaches, angry sparks fly until the two find common ground.

Patricia (Mijanou Bardot) is a wealthy party girl who is bored with her jet-set lifestyle and friends. She gets in her car and drives off into the mountains in search of a new thrill. When two men wreck and burn her car, she joins them in their mountaineering life. She sleeps with one man, but jealousy ensues and she leaves for swinging London town with the other man. Eventually the men end up back in the mountains as the profoundly disturbed Patricia packs a loaded gun and goes after them both.

Life in the provinces is a special world, a special way of life, a special relationship that is different from that in the big cities. Everyone here knows each other, and almost everything about each other. Everything here is like under a magnifying glass. The patriarchal way of life has changed little in recent years with technical progress. The old and the new. Everything here that is ugly bulges out with a vengeance, but the good things also do not go unnoticed. This film is a parable: a story about Russia, about the customs that prevail in the modern village.

Memories of a village sunk in a dam.

After the Ice, the Deluge figures relationships between the melting polar ice caps and other traumatised, abject, alien, and outsider bodies – queering the question of survival towards less boundaried ways of being in crisis. The film is constituted of Super 8; VHS, iPhone and 16mm film footage and performance documentation shot in the Arctic Circle on a 2019 research trip; as well as archival 16mm ​‘nature’ documentaries.

Morning After the Deluge is a large-scale, single-projection video installation, preferably presented in a dedicated room where the projected image is directed onto a free-standing screen. The work features two pieces of real-time footage that the artist filmed in Cape Cod, Massachusetts – one a sunset over the Atlantic Ocean and the other a sunrise on Cape Cod Bay – that are merged together and presented on a continual loop. As the sun slowly disappears into the ocean on one side, it rises out of the water on the other. In this new arrangement, the usual figure-ground relationship is upended: the sun becomes a fixed point at the centre of the image while the horizon line becomes unfixed, slowly wandering across the frame from top to bottom.

Three old men escape from the hospital and travel to Turku in search of one of the mens daughter

Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.

Short art film by Gao Xingjian.