Mania Akbari’s second feature 10+4 reproduces the situation and, at least initially, the form – a blurring of the line between documentary and fiction – of Abbas Kiarostami’s 2002 feature Ten, in which Akbari played the protagonist. It opens on the same set-up as Ten, in which Akbari and her then ten-year-old son Amin Maher bicker in the car. Cut to the present; both mother and son are in the same position in the car continuing their argument, but with a twist – Akbari is now directing herself as lead, and engaged in a fight against breast cancer that will end with her having a double mastectomy. She is thirty years old.

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.

A visual social examination in the form of ten conversations between a driving woman and her various pick-ups and hitchhikers.

It has been 10 years since the international community and local entities’ initiated their efforts towards the elimination of violence against women, the women of Afghanistan are still suffering victims of violence and lawlessness. The Taliban, no longer in power, is present in the shadows, and their brutal practices and policies towards women, especially in the countryside, are still profoundly visible. “Violence Against Women – 10 Years On” explores how, and why, this recurrent atrocity against women in Afghanistan continues to rise despite government and international community efforts to implement the law on the elimination of violence and the establishment of a High Commission for the Prevention of Violence against Women.

Through a christmas decorated Stockholm staggers a half naked and beaten woman. The tracks lead police to a warehouse with illegal medical preparations that can be linked to international smuggling organization Maximus. According to Interpol is the organization's principal is likely in Sweden and the A-group assignment is to find him. The investigation is lined with a number bisara findings in a series of women found beaten and murdered. The victims have in common is that they are found with white pillowcases over their heads.

Asha, a rich woman, is in love with Ashok, a poor but academically brilliant man. However, her father does not approve of him and wants her to marry Dr Ramesh who is equally wealthy.