A film by Paul-Armand Gette.

Driss is a jack-of-all trades type who sells fish from his car and moves furniture from one end of his hometown Tangiers to the other. His girlfriend is a free-spirited and wealthy European lass who runs an antique shop. One day, Driss becomes fascinated with Fouad, an old man who runs a rundown café by the beach. Fouad disdains his fellow Moroccans, calling them lazy, preferring the company of Europeans -- particularly, as Driss later learns -- young European women. Always on the make, Driss offers Fouad a business proposition -- to revamp his establishment and turn it into a proper restaurant with Driss as his business partner. He is later shocked and hurt to learn that Fouad starts to remodel his business but without Driss. Sending out his friends as spies, Driss learns a number of unsettling things about his would-be associate.

A beach in the south of France. Summer. Heat. Waves. Young sexy men. Desires mix up.

Intimate portrait of four 70-year-old Quebec snowbirds who migrate every winter to Florida in search of sun, warmth and companionship. Behind their quest for love lies a desire to take advantage of this second and ultimate youth that comes with retirement.

Alex, a former mercenary out of business, lives on a yacht anchored off Antibes with his wife, the beautiful and tight Helen and John, a former lover of it. Around this trio, revolves Heidi, an angelic blonde catalyst tragic events that will succeed when his troubled past catches up Alex.

Burn victims get to enjoy a family day at the beach thanks to an outing organized by the Association des grands brûlés.

Beach and sea views

Al-Ghoûla, a monstrous ghoul, wants to enjoy a day off at the beach. There, she meets a little girl who builds a sandcastle who will become her accomplice when confronted with a band of turbulent vacationers.

A cheese is tired of their friends wishing them happy birthday.

Alice and Louise are a couple. They want a child. Tom offers them his help. That weekend, they go for it.

As her team digitises the traces of an unidentified creature, a palaeontologist mourns a loved one. A meditation on preservation, daughter of discovery and mother of loss.

To go from the dunes to the seaside, Gette takes on his explorer's clothes: methodically, with the rigor of the scientist, he approaches by successive leaps, regularly rhythmic, and with each bond observes lengthily. Yet these are not scientific studies, but research in the sensory field using methods that are not usually used.