Tachibana Miyabi is 39-years-old and she hasn't had a boyfriend in 5 years. She enjoys her life as a single woman. She is a doctor and runs her own beauty dermatology clinic. Miyabi is pretty and confident, but at her school reunion, she finds herself being pitied by others for still being single. After the school reunion, she attends a gourmet meeting at a restaurant. There, she talks about her school reunion. At that time, Seiji, the owner of the restaurant, makes a biting remark that she isn't the type popular with men. She becomes upset by the remark, but she accepts his advice.

Madalena is 30 years old and is abandoned by the love of her life a mysterious Spaniard named Ricardo. With the support of her best friends she tries to forget him, and find true love.

During a stopover in Buenos Aires on her way to Chile, 31-year-old Maria recognizes a nursery rhyme. Maria doesn't speak a work of Spanish, but without understanding what she is singing, she remembers the Spanish lyrics. Disturbed and thrown off course, she decides to interrupt her journey and wander through the unfamiliar city.

Joan is a young college student who doesn't know that she has epilepsy. Another boring night takes an ominous turn when she meets two strangers at a softball game. I Remember Nothing is structured after the five phases of a seizure.

Convicted of witchcraft, 8-year-old Shula is brought to live in a penal colony where witches do hard labour in service of the government.

Hackman plays a New York professor who wants a change in his life, and plans to get married to his girlfriend and move to California. His mother understands his need to get away, but warns him that moving so far away could be hard on his father. Just before the wedding, the mother dies. Hackman's sister (who has been disowned by their father for marrying a Jewish man) advises him to live his own life, and not let himself be controlled by their father.

Pierre Gastié-Leroy is the son of a wealthy director of a factory of weapon manufacturing. Despite his parents, two generous uncles and a bishop godfather who try to inculcate him the rigid values of his social level, Pierre is a dreamer, antimilitaristic, social educator who dreams of saving three thugs, his "little guys" at the limit of delinquency. After several resounding failures that sent him to prison, Pierre is ordered by his father to join his factory to direct the social service. Tired of the venality of his father and the foolishness of the "little guys", Pierre hires them at the factory...

One livid dawn, a cold and damp wind blows as a man walks alone through the darkness. Deputy Police Superintendent Francesco Prencipe is on his way to meet his best friend, Judge Giovanni Mastropaolo whom he hasn't seen for almost two years. The men drive for two hours and exchange but a few words. Later that morning, the Judge is found dead, a single gunshot wound to his head. Francesco is the last person who saw him and his fingerprints are the only ones found in the house. But is he the murderer?

Filmmaker Michael Ventura follows Cassavetes around as the actor/director labors on his final film, Love Streams.

In front of a live audience at the Raleigh Memorial Auditorium at the Progress Energy Center for the Performing Arts in Raleigh, North Carolina, the Emmy-nominated host of Real Time with Bill Maher performs an all-new hour of stand-up comedy. Among the topics Bill discusses in his ninth HBO solo special are: Whether the "Great Recession" is really over; the fake patriotism of the right wing; what goes on in the mind of a terrorist; why Obama needs a posse instead of the secret service; the drug war; Michael Jackson; getting out of Iraq and Afghanistan; racism; the Teabagger movement; religion; the health-care fight; why Gov. Mark Sanford will come out looking good, and how silly it is to ask "Why do men cheat?"; and why comedy most definitely didn't die when George Bush left office.

Detective Husband I've Never Met

On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder.

When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.

Featuring music from her fourth studio album produced by Trent Reznor and Atticus Ross, this evocative film experience stars Halsey as the young and pregnant Queen Lila, who wrestles with the manipulative chokehold of love.

A roll of film is not a successful conduit for grief. For Robert Todd.

This is a story about the complex relationship between a mother and her terminally ill teenage daughter. The girl is immersed in the fictional world of her drawings and plays Juliet on stage, but is absolutely helpless in real life. They live together in a tiny apartment on the outskirts of the megapolis. And one day a man appears in their life.

The main "hero" of the documentary will be bullying, as a social phenomenon and a problem that ruins the lives of thousands of young Kazakhstanis. We want to draw the attention of children, parents, teachers, and legislators to the fact that inaction, ignoring, and tacit condoning bullying can lead to tragic consequences.

The film is about one of the greatest social hot spots in Estonia during the Soviet times when apartments were distributed by the state, telling the story of a real estate agent and a homeless man. Mass immigration in 1944-1988 led to demographic conflict. Free apartments were mainly given to immigrants despite the fact that local people badly needed places of residence as well. They are not tourists, they live here, but they haven't got a home.

Things are not looking good for Brook, a young, talented singer/songwriter who has become the clichéd tortured artist. Slow to come to terms with the death of his mother, Brook is self-absorbed, aggressive, and the major obstruction to his own career success. His isolation is lifted when his three sisters and estranged father come to spread his mother’s ashes. Brook’s loving sisters have a magical effect on his anger and apathy, suggesting there may be hope for the misanthropic musician after all.

Based on the Armenian ‘Sharakan’, a nine-part song that brings us gradually closer to meaning, Maria Saakyan’s new film further develops the poetic invention apparent in her first feature, The Lighthouse. Focusing on the world of a 14-year-old girl, Evridika, who is experiencing the first extremes of adolescent emotion, it makes effective and imaginative use of her private world centred on internet chat rooms and mobile phone recordings.